Suzuki Tadashi’s Electra
Directed by Suzuki Tadashi This adaptation of Electra takes the ancient play and incorporates it with the traditional Japanese theatre dance, Noh. The Suzuki Company of Toga itself is very centred on preserving…
Directed by Suzuki Tadashi This adaptation of Electra takes the ancient play and incorporates it with the traditional Japanese theatre dance, Noh. The Suzuki Company of Toga itself is very centred on preserving…
by Anastasia Bakogianni. Description: Classics Confidential’s own Anastasia is interviewed by Sonya Nevin about her work for War as Spectacle (Anastasia tells us how Greek tragedy was co-opted by film director Michael…
by Mihoko Suzuki. Description: What is the appeal of Greek tragic heroines for later writers, particularly women authors? During a visit to the University of Miami CC’s Anastasia Bakogianni met up with the Director of…
Produced by Shivaike Shah Abstract: For two thousand years, study of the Greek and Roman worlds has been at the centre of Western education. Khameleon Classics is the podcast that asks why. What is our fixation with…
by Rosa Andújar and Konstantinos P. Nikoloutsos Abstract: This volume explores the rich and varied afterlife of Greek and Roman tragedies and comedies in Latin America, offering nuanced examinations of notable…
By Barbara Goff and Michael Simpson Abstract: This book seeks to explain the prominence of Sophocles’ Theban plays among those Greek tragedies adapted by dramatists across the African diaspora. It argues that the…
By Emma Bridges Xerxes, the Persian king who invaded Greece in 480 BC, quickly earned a notoriety that endured throughout antiquity and beyond. The Greeks’ historical encounter with this eastern king – which resulted,…
By Kathryn Bosher Abstract: Studies of ancient theatre have traditionally taken Athens as their creative centre. In this book, however, the lens is widened to examine the origins and development of ancient drama, and…
By Sheila Murnaghan Abstract: This chapter highlights the paradoxical status of the tragic chorus: as a group of musical performers, the chorus is a manifestation of social and political order, but as a group of…
by Isabelle Torrance Abstract: This paper argues that Aeschylus systematically distorts normative ritual paradigms of oath-taking for dramatic purposes. Oaths in Aeschylus tend to be conspiratorial and/or political in…