Plagiarism and Poetic Identity in Martial

Euan Bowman
Monday 5 July 2021

By Mira Seo

Abstract: This article addresses the significance of plagiarism as a poetic theme in Martial’s “Epigrams”. Martial is the first classical poet to use the term plagiarius to refer to literary theft (“Ep.” 1.52), and elsewhere in his epigrams, he frequently accuses other poets of appropriating or copying his work. This article argues that Martial’s explicit references to plagiarism illustrate a poetic self-identity invested in the materiality of his texts: as Martial objectifies his books, he also commodifies them as articles of the marketplace. By defining his poetry as material commodities available for purchase or theft, Martial also exposes the economic fictions of Roman literary patronage.

Published in The American Journal of Philology, Vol.130, pp. 567-593, (2009).

View on JSTOR

 

Related topics


Leave a reply

By using this form you agree with the storage and handling of your data by this website.

Categories & Sub-Categories

Tags